There is the counterargument that fashion ads are inherently false: preternaturally beautiful models are worked over by makeup artists and hair stylists, illuminated by lighting designers and shot by sophisticated photographers. In such a context, where can we draw the line on deceit? Here’s where: with the electronic manipulation of a photograph. It may be an arbitrary limit, but we set arbitrary limits all the time. The 55-mile-an-hour speed limit draws on the knowledge of traffic engineers, but it is not a manifestation of some immutable law of nature.
It could also be argued that a labeling law, equitably applied, would require warnings on nearly all ads, including those that alter reality in other ways. For example, few roads are as serenely traffic-free as those in car commercials (and indeed some automobile ads on TV already note that they were photographed on a closed course). But here’s the distinction: Although that open road deliberately conveys a bogus sense of driving delight, the road itself is not the product. The car is the product. In fashion ads, however, whether for clothes or makeup or shampoo, the model’s beauty is the product, or at least the direct result the product is meant to achieve. Because that beauty cannot be obtained via the proffered merchandise but only through a tricked-out photo, this is a case of false advertising.Tuesday, October 20, 2009
Oh Crap I Forgot to Photoshop Myself This Morning
Check out this interesting blog post by the Times' resident Ethicist, Randy Cohen, on the rampant photo altering in the fashion & beauty industries. I really like the analogy he makes to car ads, and the consequent argument that it's false advertising.
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